Mashing their own brew of pop-punk and folk since 2013, Black Water County continue on their mission to provide merriment and moshing to the masses by relentlessly touring the UK and Europe.

Drawing inspiration from their favourite pop punk bands growing up, such as Green Day, Sum 41 and The Offspring as well as their self-discovered affinity to folk legends such as The Pogues, Flogging Molly and Bellowhead, the fusion of folk melody and instrumentation with driving, high energy drums and guitar have continued to forge the distinctive sound through the years.

Their debut album ‘Taking Chances’ was released in 2017, with the sophomore album ‘Comedies and Tragedies’ being released three years later during the first lockdown of 2020. Lastly, newest release ‘The Only Life Worth Living’ came out to the masses in 2023 boasting four singles, including one featuring guest vocalist Hannah Greenwood of Creeper. All three releases were released independently and were produced and mixed by Lewis Johns of The Ranch Studio UK.

To date the band’s UK festival appearances include Cropredy, WOMAD, Boomtown, Beautiful Days, Belladrum, Black Deer, Camp Bestival along with hundreds of smaller UK festivals and beyond, venturing into Germany, Belgium, Switzerland, The Netherlands, Czech Republic and France.

In both 2016 and 2018, Black Water County won their place on Fireball’s ‘Fuelling the Fire Tour’ supporting Less Than Jake, Flogging Molly, The Bronx and The Skints. They subsequently featured in Kerrang!’s online coverage of the tour, received an endorsement from Fireball UK and also appeared on BBC radio stations with the single ‘Rise and Fall’.

John Jones is best known as the powerful and charismatic singer with Oysterband, veterans of the folk and roots scene since the 1980s. They started as The Whitstable Oyster Company Ceilidh Band, one of the best ceilidh bands in the business, which then evolved into the folk/punk/rock group Oysterband, releasing over 20 albums and playing every major festival in the UK, Europe and Canada. They recorded and toured with some of the UK’s most revered folk artists, including acclaimed tours and two award-winning albums with singer June Tabor.

John’s solo work developed alongside his Oysterband duties. In 2009, he released his first solo album, Rising Road, and began walking between gigs with musicians and fans in a group he called The Reluctant Ramblers. In ten years, the Reluctant Ramblers walked over 1000 miles between shows and John released his second album, Never Stop Moving, in 2015.

Now, with Oysterband saying farewell to their armies of faithful fans across the UK and Europe with their hugely successful The Long Goodbye tour, John is about to embark on his next chapter, enlisting the help of his two long-standing friends and fellow musicians: Ray Cooper a.k.a. Chopper and Al Scott. Ray joined Oysterband in 1990 and brought in the cello sound alongside his bass and backing vocals before leaving in 2013 to go solo. Al has been associated with Oysterband for over 30 years as producer and stand-in guitarist. Al joined the band in 2013.

Between them, the trio play a variety of instruments and will be performing a range of songs and tunes from over the years, from each of their back catalogues, alongside new songs and traditional numbers.

The Song Goes On Tour launches across the UK in Spring 2026, with further dates planned at summer festivals and in winter 2026, and with European shows in the pipeline as well. So whilst one chapter may be coming to an end, another is just beginning: The Song Goes On!

We’re delighted to confirm that top Irish band The Saw Doctors will headline on the Saturday 1st August  2026.

“ If The Saw Doctors could bottle the sort of bonhomie that can make an entire concert hall feel better, they would have the medicine show to end them all”
Paul Sexton, The Times

The Saw Doctors were discovered by Mike Scott of The Waterboys on a stormy Tuesday night in Galway in the 1980’s, plying their trade with more gumption than virtuosity in the back room of The Quays Bar. Scott offered The Saw Doctors the support slot on The Waterboy’s Irish Tour to launch the ‘Fisherman’s Blues’ album in 1988 and before the tour was completed, Mike asked The Saw Doctors to support The Waterboys on their six-week tour of Great Britain in Spring 1989.

Mike Scott produced The Saw Doctors first single, ‘N17’, which was written by the band’s singer Davy Carton and guitarist Leo Moran. ’N17’ got a few plays on Irish radio and a second single was scheduled to be released to fulfil the band’s two-record deal with Solid Records in Dublin.

With Philip Tennant, whom they had met through Mike Scott, now on the producer’s perch, The Saw Doctors went to the haunted Loco Studios in Wales and put down three tracks – ‘It Won’t Be Tonight’, ‘I Useta Lover’ and ’Sing A Powerful Song’.

After much debate, it was eventually decided that ‘I Useta Lover’ would be the second release from The Saw Doctors. The Galway band plugged away at gigs around Ireland and scored an early afternoon slot at the coming-of-age Irish festival of its time, Féile, in Thurles, in August 1990. The Welsh ghost must have brought them luck for that Sunday evening, they learnt that ‘I Useta Lover’ had somehow entered the Irish single charts at No. 27, from where it slowly climbed, taking seven weeks to reach Number One and remaining on top for the following nine weeks, going on to become the biggest selling Irish single, outselling U2 and Sinéad O’Connor. The Saw Doctors were now known the length and breadth of Ireland and beyond.

Things got fast for The Saw Doctors. A Channel 4, film documentary, ‘Sing A Powerful Song’, was shot in Manchester and at a homecoming concert in the Football Stadium in Tuam and it aired in Britain and Ireland. The Saw Doctors made their first trip to The United States in 1991, a journey they have made almost a hundred times since.

Through the 1990’s, The Saw Doctors chalked up well-received appearances at numerous prestigious festivals including Witness, Oxegen and Slane Castle in Ireland; Glastonbury, T in the Park, the London Fleadh in Britain as well as at its Fleadh cousins across the Atlantic in New York and San Francisco, and garnered a reputation for being a powerful and exciting live band, playing gigs in Ireland, Britain and the USA, with the odd trip to Australia, Sweden, Denmark, Norway, Finland, Holland, France and Belgium.

A handful of singles went Top 20 in the British Charts through the nineties & The Saw Doctors appeared on BBC’s ‘Top of the Pops’ three times with ‘Small Bit Of Love’, ‘To Win Just Once’ and ‘World Of Good’. The Saw Doctors third album ’Same Oul’ Town’ reached No. 6 in the UK Album Charts in 1996.

The end of 2011 brought another surprise hit for The Saw Doctors – having included a verse and chorus of ‘Downtown’ in the show-closing ‘Hay Wrap’, the band noticed that ‘Downtown’ captured the imagination of the audience, making it a potential contender for the Christmas single. On a long-shot, producer Phillip Tennant got in touch with Petula Clark’s manager and a recording session was arranged in London where the old 60’s classic was re-vamped and recorded – ‘The Saw Doctors featuring Petula Clark’! The lively duet made it to number 2 in the Irish singles Christmas chart.

After a five-year break from touring, The Saw Doctors staged a brilliant comeback in 2023 with sold out shows in London at Hammersmith Apollo, New York at Hammerstein Ballroom and two homecoming shows in Tuam, Co. Galway where they played to 10,000 people in St. Jarlath’s Arena. Perhaps their most enjoyable and memorable performance was  when they graced the stage at Wickham Festvial that year 🙂

The Saw Doctors are powered by song writers Davy Carton (vocals) and Leo Moran (guitar) with a band lineup including former Waterboy Anthony Thistlethwaite on saxophone, Rickie O’Neill, drums, Pearse Doherty, bass guitar, Kieran Duddy, keyboards, Noelie McDonnell, backing vocals and Tommy Carton, backing vocals.

“Born into a repressed, catholic, conservative, small-town, agrarian, angst-ridden & showband infested society, The Saw Doctors are trying to preserve the positive elements of our Irish background and marry them to the sounds which have culturally invaded our milieu through TV, radio, social media, 45’s, fast food restaurants, 24-hour petrol stations & electric blankets”.
Leo Moran, The Saw Doctors

Ferocious Dog will be performing at Wickham Festival 2026 on Saturday 1st August.  They’ve been hailed as “a representation of our gut feeling, savage and merciless” and at the same time, called “folk in the grand tradition of it being the peoples sound.” Ferocious Dog, however are all those things.

2026 will be the final year of Ferocious Dog… but of course not before one last stop along the way at a certain field with us in Hampshire. They are not bowing out quietly!!! Let’s tear it up together one last time together in 2026.

Ferocious Dog has emerged as a prominent figure in the music world, renowned for their dynamic and authentic folk-punk sound that echoes the essence of Nottinghamshire. The band is celebrated for their narrative-driven lyrics that adeptly address social, political, and personal issues, striking a chord with their audience.

The journey began in 2011 with the release of their debut single “Ferocious Dog,” laying the foundation for a diverse and profound discography. Their first album, released in 2013, highlighted their dedication to storytelling, a hallmark of their musical identity.

“Ferocious dog are a very socially conscious band and their music and lyrics are designed not only to make you smile and sing along but also to make you feel something.”
Folk-Metal.NL.

Over the years, Ferocious Dog has expanded their repertoire significantly. Projects like “Ferocious Dog 3 Piece Acoustic” in 2014 and the acoustic version of “From Without” in 2017 showcased their ability to strip their music back to its core while retaining its impactful message.

Their albums, including “From Without” (2015) and “Red” (2017), have further established the band’s status in the folk-punk genre, blending poignant lyrics with engaging melodies and capturing a growing international fanbase.

The band’s commitment to exploring current issues was evident in their 2019 album “Fake News & Propaganda,” which ventured into introspective and critical territory, reflecting on complex societal themes.

In 2021, “The Hope” marked a significant milestone, highlighting the band’s expanding audience and the wide-reaching appeal of their music with its chart success.

“9/10 Earning a reputation as the UK’s most exciting Folk Punk band for good reason”
Vive Le Rock·

Their singles, such as “Hell Hounds,” “The Landscape Artist,” and the collaboration “Psychedelic Spin” with Dr. Peacock, have contributed to their evolving narrative, each revealing different facets of their artistic journey.

Ferocious Dog has established themselves as much more than a conventional band. They serve as a powerful voice for stories that are often untold or overlooked, embodying a spirit of resilience and insight. As the band continues to evolve, their unwavering dedication to producing music that is not just entertaining but also empowering and enlightening shines through. They express sincere gratitude to everyone who has contributed to their journey and warmly invite fans to join them as they continue to make their mark in the music world.

“This is serious social commentary with superb tunes and Dan Booth’s sublime violin takes the listener on a rollercoaster of emotion”
W.D Emsley

“Without doubt Ferocious Dog are one of the best bands on the UK folk punk circuit as they brought Rock City to life with their stomping, energetic sound. Not only are they one of the most hardworking bands around, but as their fans will testify, they are also one of the most approachable”
Nottingham Post. Kevin Cooper