Combining the mercurial talents of English songwriting legend Boo Hewerdine and acclaimed American Blues guitarist and songwriter Brooks Williams, State of the Union create a magical, stripped back and enthralling musical atmosphere, their performances consistently brilliant, equal parts emotive and entertaining.

The original songs Hewerdine and Williams play are infused by a multitude of influences, from Willie Nelson to Johnny Cash, from the wide open Fenlands to the frenetic buzz of the city. Their recordings are made quickly, in most instances first take, live in the studio, but the sound this amazing acoustic duo capture is rich and expertly executed.

About Boo Hewerdine & Brooks Williams

Boo is perhaps best known from his years fronting much loved English rock band The Bible but he has since enjoyed a solo career spanning over two decades and written thousands of published songs including those for Eddi Reader, Sia, Chris Difford, Kris Drever and KD Lang. His most recent album “Swimming In Mercury” is due out in February 2017 on Reveal Records.

Brooks Williams got his start in the clubs and bars in Boston USA (the same music scene that years earlier sparked the careers of Bonnie Raitt and Chris Smither) and from there he has toured in ever-widening circles for nearly three decades. In 2013 Williams was nominated best male vocalist by the UK’s foremost roots-music mavens, Spiral Earth. AmericanaUK says, “he has a beautiful voice that you just melt into.” He’s also ranked in the Top 100 Acoustic Guitarists. Over the years he has picked alongside Taj Mahal, John Hammond, Paul Jones, Little Feat, Maria Muldaur, Shawn Colvin and Leo Kottke, to name but a few.

The wonderful singer-songwriter Grace Petrie will be at our 2022 Wickham Festival on Thursday 4th August, 2022.

‘She’s the urgent, pulsing, compassionate talent this world desperately needs.’
The Observer

Protest singer Grace Petrie has an army of loyal fans across the alternative, folk, political and comedy scenes. She’s toured to arenas with Frank Turner, has supported comedian Hannah Gadsby, toured with comedy phenomenon The Guilty Feminist , has done a prestigious live session on the BBC Radio 2 Jo Whiley Show and reached the top 40 in the UK album charts in autumn 2021 with her new album ‘Connectivity’. Festival appearances have included The Acoustic Stage at Glastonbury Festival, Port Fairy Folk Festival in Australia, Vancouver Folk Festival in Canada and many more.

‘She writes the sort of songs you want to pin the lyrics of on your bedroom wall, or on the office door, to remind you and everyone else who might read them what is important and true’
Buzz Magazine

Securely ranked among Scotland’s most skilled and imaginative contemporary folk acts, Breabach unite deep roots in Highland and Island tradition with the innovative musical ferment of their Glasgow base. They have released six increasingly acclaimed albums, whilst fuelling their creative appetites in collaborations with indigenous Australasian artists Moana and the Tribe & The Black Arm Band, Quebec’s Le Vent du Nord, video game composer Big Giant Circles and as artists-in-residence at the 2019 Celtic Colours festival with Cape Bretoners, Beolach. 2020 saw the introduction of the supremely talented, multi-instrumentalist Conal McDonagh to the band which coincided with the production and release of ‘Dùsgadh’, a newly commissioned short film in with original score in collaboration with BAFTA award winning animator Cat Bruce.

Their 17 year adventure has included live performances from Sydney Opera House to Central Park NY. They have racked up an impressive array of accolades including five Scots Trad Music Awards, nominations as ‘Best Group’ in the BBC Radio 2 Folk Awards and ‘European Album of the Year’ in The Songlines Music Awards.

Breabach show no sign of slowing their creative endeavours with imminent tours and festival appearances across the UK, Europe and the US to mark the release of their 7th studio album ‘Fàs’ produced by renowned musician Inge Thompson (Karine Polwart, Hen Hoose, Northern Flyway).

Breabach are; Megan Henderson (Fiddle, Vocals, Step Dance), James Lindsay (Double Bass, Vocals), Calum MacCrimmon (Bagpipes, Whistle, Bouzouki, Vocals), Conal McDonagh (Bagpipes, Whistle, Vocals) and Ewan Robertson (Guitar, Vocals, Cajon). Acknowledging and respecting the origins of both the music they play and the roots of the band whilst embracing the future with new ideas, energy and belief is a key attribute of the band and has remained a constant theme throughout their 17 years.

“As polished as it was passionate, matching fiery intensity with exquisite finesse, this was a magnificent set”
The Scotsman ★★★★★​

“Breabach are in an electrifying new phase – one that illustrates the band’s strength and interest in experimentation. Exhilarating, energetic and accomplished”
Songlines ★★★★

Dervish have been bringing Irish traditional music to the world for more than 25 years. Described by the BBC as “an icon of Irish music”, the band have played at festivals from Rio to Glastonbury. They accompanied the Irish President on state visits to Latvia and Lithuania and Prime Minister of Ireland on a trade mission to China as Cultural Ambassadors taking time out to play an impromptu session on the Great Wall of China. Dervish have a line-up which includes some of Ireland’s finest traditional musicians, fronted by one of the country’s best-known singers, Cathy Jordan.

The Guardian newspaper commented: “Dervish are simply brilliant. . they carry Irish history with them.” Dervish are long-established as one of the biggest names in Irish music internationally. They’re renowned for live performances, which match dazzling sets of tunes with stunning interpretations of traditional songs. Their studio and live albums – 13 to date – make up one of the outstanding catalogues in Irish music.

They are regular visitors to the US, performing sell out shows from coast to coast. However, their fan base stretches across several continents, including Europe, Asia, and South America. They were the first Irish band to play the world’s biggest music festival, Rock in Rio, performing to an estimated 250,000 people. Over the years they’ve been on the same bill as artists such as James Brown, Neil Young, Sting and even Iron Maiden! In 2018 Dervish are still busy touring internationally and still making plans. The band are excited about signing for the renowned US roots label Rounder Records and will be releasing their first album on the label in 2018 featuring guest appearances by artists including Vince Gill, Steve Earl, David Gray and many others.

All six members of Dervish are steeped in the musical traditions of counties Sligo and Leitrim in north-west Ireland. It’s an area which matches Atlantic coastline with storied mountains and rural landscapes. It has inspired a host of musicians, artists and writers, including the Nobel Prize-winning poet W. B. Yeats.

In 2004 Dervish were given their home towns highest honour when they were given the freedom of Sligo City in a civic reception, an accolade they share with Yeats himself, Michael Flatley and Countess Markievicz. Dervish were formed in 1989 when four of the founding members met while playing informal sessions in the pubs of Sligo. – Shane Mitchell (accordion),Liam Kelly (flute/whistle), Brian McDonagh (mandola/mandolin) and Michael Holmes (bouzouki). They were soon joined by Roscommon born singer and bodhran (drum) player Cathy Jordan, and later by all Ireland Fiddle Champion Tom Morrow in 1998. It’s a remarkable and at times electric combination – “capable of playing with note-perfect accuracy and perfect control at nearly supersonic levels” (Irish Voice, New York).

But Dervish marry technical brilliance with a rare sensibility, born of an understanding of the music and many years of playing together. The Irish Times said their “integrity makes the group a formidable heir to the throne abandoned by The Bothy Band, if not a serious contender for The Chieftains’ international space.” The News Journal (Delaware) described Dervish as: “The most compelling, most soulful Irish traditional folk band playing today. If you ever find yourself in the beautiful town of Sligo on the wild Atlantic way, check out the music sessions that take place in many establishments. The members of Dervish enjoy playing tunes back where it all began.

Steve Knightley (born 1954) is an English singer, songwriter and acoustic musician. Since 1992 he has been one half of possibly the UK’s most successful Folk/Roots duos – Show of Hands. His partner Phil Beer is widely regarded as one of the world’s finest acoustic multi-instrumentalists.

A constant throughout Knightley’s work is his ability to root his songs in geographical place, notably the West Country where he still lives. His gift for talking to people, listening to them and distilling the encounter into song is evident throughout his work; a talent that was highlighted in the Carlton TV documentary Stairway to Devon (2000) for which he toured the county talking to local craftsmen and performed a song inspired by those meetings at the end.

Informed by a love of folk ballads, Knightley writes historically accurate songs that resonate with contemporary meaning. He has an extraordinary ability to conflate time and space to bring history vividly, smack bang into the present. It’s an ability that fuels his reputation as an ‘issues’ writer. The seminal Country Life (the title track of Show of Hands’ 2003 album), earned him the moniker ‘The gravel voiced spokesman of the rural poor’ and a nomination for best song at the 2004 BBC Radio 2 Folk Awards.

Iain Matthews first gained attention as a founding member and vocalist for the innovative Fairport Convention’s first three albums, changing the voice of folk music in his country. He moved on to create Matthews’ Southern Comfort, exploring his interest in American music. They had a No 1 hit in the UK with Joni Mitchell’s ‘Woodstock’. Never one to stand still for very long Iain moved on during the 1970’s with another group, Plainsong. An ensemble that allowed Iain to blossom as a songwriter and acoustic guitarist – supported by his ex-Fairport mates Sandy Denny and Richard Thompson both in the studio and in Richard’s case on tour. Between his own solo recording and various Plainsong line-ups Iain released ten albums to critical acclaim including another well known Top Ten US hit with the single ‘Shake It’.

During the early 1980’s Matthews turned towards the business side of music as a rep for Island Records, but was persuaded by Robert Plant of Led Zeppelin to get back to making music.He returned to the USA for more solo work and Plainsong records. During this period he recorded a wonderful version of Peter Gabriel’s ‘Mercy Street”, contributed to a Phil Ochs’s Tribute album and recorded plus toured with Nanci Griffith. Next he released another respected record with the somewhat sarcastic title “Excerpts from Swine Lake”.

In 2000 Matthews settled in the Netherlands and found a busy, happy life in Europe with more touring of the UK and continent. Yet more well received collaborative recordings were issued including a Tribute album to Sandy Denny. Since then Matthews has found one of his most sympathetic musical companions the pianist Egbert Derix. However Matthews feels he has finally found an almost perfect musical sweet spot, playing solo, in support of his most recent solo album ‘A Baker’s Dozen”. As his 50 years (can this be true) in the business prove, things do come around again and again…. and Iain Matthews, guitar in hand and songs springing from his muse, is available for bookings..

Treacherous Orchestra story is one of many strands, a tale told spanning the length and breadth of Scotland. An un-definable collective force fusing people, concepts, styles and influences, shaping a musical supergroup that defies description. From the North to the South, East to the West they came, converging in the musical melting-pot of Glasgow, trading ideas over beers and playing music with ferocity, verve and passion. This is a tale of musical origins…

These roots and strands – the essence of the band – are the stories of the members themselves, all emerging from their own musical habitat and adding their own distinctive identity. The band is composed of seasoned musicians who are already treading notable paths and reaching international recognition with other bands as performers, arrangers and composers. Those bands that have gone before them, the likes of Martyn Bennett’s Cuilinn Music, Wolfstone, Peatbog Faeries, Shooglenifty and Salsa Celtica tell the tale of a country full of bright musical minds, ideas, innovation and evolution. It is a tale that continues with the rise of this epic Orchestra.

Hailing from the Highlands of Scotland the band formed in 2012. They are comprised of Euan Smillie (fiddle), Alasdair Taylor (mandolin), Mark Bruce (guitar), Seth Tinsley (bass, synth) and Greg Barry (drums, samples).

Creating a progressive blend of intricate tunes, engulfing guitars, with a bass and drum heavy backline, their music combines the very best of trad, funk and electronica resulting in a new and exciting sound. Gigging extensively around the UK, they swiftly built a fan base and went on to release their debut album The Elusive Highland Beauty in 2014 to critical acclaim. This album and it’s subsequent tours and festival appearances saw the band winning the Best Up and Coming Act category at the BBC Alba Trad Music awards in 2014. Already renowned for their breath-taking live shows the band began to gain success not just within the U.K but also found themselves beginning to perform at some of the most prestigious European Festivals. Since then, the band have made live appearances at some of the most notable venues and festivals across the U.K, Europe and Australia, including Glastonbury, Byron Bay Bluesfest, Colours of Ostrava and multiple headline sell-outs at Celtic Connections.

Mercury prize winning band Alt-J, along with BBC Radio 2 and BBC Radio 6, found themselves converted to the band’s unique brand of indie folk.

Reviews from Rolling Stone Magazine sat alongside folk magazine coverage. Radio features accompanied documentaries and highlights shows on television stations.

The band scooped the coveted BBC MG Alba Album of the Year for ‘All We Have is Now’ and were shortlisted for the Scottish Album of the Year (SAY) Award shortly after.

In 2018, the band also picked up the Live Act of the Year award, received a nomination for ‘Best Group’ at the BBC Radio 2 Folk Awards and were the winners of the first ever Belhaven Bursary Award.

2019 will see the band release their eagerly anticipated 3rd album.

Pioneered by former members of Big Audio Dynamite (and, by inheritance, carrying forward the heart and soul of The Clash) Dreadzone’s two decade plus career has been championed by the late John Peel, signed to the legendary Creation Records and Virgin before finally securing their independence by founding their own aforementioned Dubwiser record label. Since their inception in 1993 Dreadzone have steadily been releasing underground storms of albums, progressively bettering, refining and perfecting their own unique and inimitable take on dub – mixed as it is with aspects of dance, sublime guitar riffs, folk roots sentiments and breakbeat bass styles – whilst bringing the party to every club, dancehall and field they’ve shown up at. Always blowing audiences away and steadily earning for themselves the best possible reputation as a live act in the process.

In 2018, Dreadzone moved forward as a 5 piece, after parting ways with their guitarist after 10 years, and are focusing more on the electronic and dub elements of their stage show – a sound they developed in earlier years of Dreadzone. Their old skool dread sound comes bubbling to the surface on new album ‘Dread Times’ which digs deep into their dub and reggae roots whilst still keeping the beats fresh and the textures electronic.

Dread Times is the band’s 8th studio album and the 3rd release on their own Dubwiser label. The album stormed into the Top 40 UK Official Album Charts on release in 2017 – the first time the band have charted in over 20 years. The album also made the Top 10 in the Indie and Dance Charts.

Alabama 3 are an English band mixing rock, electronic, blues, country, gospel, and spoken word styles, founded in Brixton, London in 1995. Their track “Woke Up This Morning” was used for the show’s opening credits of the TV series The Sopranos. In the United States, the band is known as A3, to avoid legal conflict with the country music band Alabama. Every member of the group has an alias, the band’s founding members adopting the personas Larry Love (Rob Spragg) and The Very Reverend Dr. D. Wayne Love (Jake Black).

The band formed when Jake Black met Rob Spragg at an acid house party in Peckham and they decided that a fusion of country music with acid house was a musical possibility. Other members of the band were added over time. Rob Spragg was at university with Piers Marsh, the harmonica player and synthesiser programmer for the band, while Orlando Harrison, the group’s current keyboardist, used to live with Jake Black. Prior to the formation of Alabama 3, and following the demise of The Jangletties, Black generated little or no recorded output for several years.

Starting their act under the alias the First Presleyterian Church of Elvis the Divine (UK), the group eventually switched names to Alabama 3 and, after having been dismissed by the mainstream media as a novelty act, signed with One Little Indian Records in 1997 for the release of its debut album, Exile on Coldharbour Lane.

In August 2007, the group toured under the name of Alabama 3: Acoustic and Unplugged, with Harpo Strangelove and Devlin Love, to promote its new album MOR (released 10 September 2007). Bassist John “Segs” Jennings left the band, saying he was “busy elsewhere and [he doesn’t] have the time.” The band’s sixth studio album, M.O.R. included a cover of Jerry Reed’s 1970s hit “Amos Moses” and features The Proclaimers on the track “Sweet Joy” plus piano parts on the country stomp version of the Gil Scott Heron song “The Klan”, written by Heron and Brian Jackson. In September and October 2007, the band toured the UK in support of M.O.R. with Irish band Republic of Loose supporting.

It will be a very welcome return for Afro Celt Sound System featuring our Festival Patron, Johnny Kalsi, on Sunday 6th August 2023 who last appeared at Wickham in 2019.

Afro Celt Sound System are among the pioneers of the contemporary world music scene. Their ground-breaking fusion of African, Gaelic and Bhangra influenced sounds has won the hearts and minds of audiences since the group’s beginnings over 25 years ago. With album sales now topping more than one and a half million, two Grammy nominations to date and tours all around the world, they are the legendary afro-celtic band bringing spirits and music from different cultures together to a breath-taking show.

In 1995, The first Afro Celt Sound System album was released to great critical acclaim. To quote Real World Records:

“The world’s press waxed superlative: “a hurricane let loose” declared Q Magazine. “Hearing is believing,” announced Mojo. “Heady, heartfelt music,” proclaimed the Wall Street Journal. Word of mouth spread. A host of imitators soon began crossing cultural boundaries, bent on embracing the future without losing sight of the past. None of them, of course, caught the essence of Afro Celts. Much copied, they were never surpassed. “ The group went on to release 8 studio albums in total, becoming one of Real World Records top selling artistes of all time.” 

In March 2023, ACSS founder Simon Emmerson sadly passed away after prolonged illness. Simon founded the ground breaking group and was the driving force in it’s innovative genre defying recordings and live shows. His loss will be felt for many years by both the band and their fans alike. Simon was steadfast in his belief that the band should continue after his passing, and had been working on the next album for some time. The New Album OVA (short for Ovate, and the Afro Celt Symbol) will be released in Simon’s memory at the end of 2023.

We’ve a real treat in store to wrap up our 2019 festival as The Kiefer Sutherland Band take to the stage on Sunday 4th August 2019.  Kiefer Sutherland is an actor, producer, director, and now a successful singer-songwriter. He is known for his role as Jack Bauer in the drama series 24, for which he won an Emmy Award, a Golden Globe Award, two Screen Actors Guild Awards, and two Satellite Awards. He is the son of actor Donald Sutherland and the father of actress Sarah Sutherland.

Sutherland got his first leading film role in the Canadian drama The Bay Boy (1984), which earned him a Genie Award nomination. Since that time he has had a successful movie career, starring in films such as Stand by Me (1986), The Lost Boys (1987), Young Guns (1988), Flatliners (1990), A Few Good Men (1992), The Three Musketeers (1993), A Time to Kill (1996), Dark City (1998), Phone Booth (2002), Melancholia (2011), Pompeii (2014) and Flatliners (2017).

He has also starred as Martin Bohm in the Fox drama Touch, and provided the facial motion capture and English voices for Big Boss and Venom Snake in the video games Metal Gear Solid V: Ground Zeroes and Metal Gear Solid V: The Phantom Pain. Currently, he stars as President Tom Kirkman in the political drama series Designated Survivor.

In 2002 Sutherland and his good friend Jude Cole launched a small record label called Ironworks to record and distribute music by local musicians. Sutherland eventually moved on, but something about being around young, hungry bands lingered, and by 2015, he was playing his own compositions to Cole. Sutherland’s thought had been to record the songs as demos for other artists to use. Cole, however, thought Sutherland ought to keep them for himself. They wrote some songs together, and eventually there were enough for an album. This was the start of a successful career in music.

Sutherland’s career as a touring and recording artist has catapulted him globally as a respected guitarist and vocalist. A riveting performer, Kiefer engages audiences with his self-deprecating wit and shares the stories behind his highly personal songs that populate his 2016 debut album Down In A Hole, and his forthcoming new release Reckless & Me, including his new single “This is How It’s Done.”

During his lengthy shows, he covers some of his favorite songs from Merle Haggard and Tom Petty. Displaying equal ease with both rock classics and country standards.

We’re very excited to welcome Ralph McTell, one of the great storytellers, to Wickham on Sunday 4th August 2019.  He is now celebrating more than 50 years on the road. Known for his virtuoso guitar style, he is primarily a prolific and gifted songwriter. With a style that invites you into a unique world, he weaves a narrative that is both significant and poignant. Ralph made his debut in 1968 with the album ‘Eight Frames a Second’.

McTell is best known for his song “Streets of London”, which has been covered by over two hundred artists around the world, and for his tale of Irish emigration, “From Clare to Here”.  The 1974 the release of Streets of London earned him an Ivor Novello Award.

In the 1980s he wrote and played songs for two TV children’s programmes, Alphabet Zoo, which also featured Nerys Hughes, followed by Tickle on the Tum, featuring Jaqui Reddin. Albums were also released from both series. He also recorded Keith Hopwood’s and Malcolm Rowe’s theme song to Cosgrove Hall’s adaptation of The Wind in the Willows, and this was released as a single in 1984 after the series was aired on ITV.

McTell’s guitar playing has been modeled on the style of the US’s country blues guitar players of the early 20th century, including Blind Blake, Robert Johnson and Blind Willie McTell. These influences led a friend to suggest that he change his professional name to McTell as his career was beginning to take shape.

McTell is also an accomplished performer on piano and harmonica, which he uses on a harness. In 2002 he was presented with the prestigious Lifetime Achievement Award at the BBC Radio 2 Folk Awards.

Judy Collins has inspired audiences with sublime vocals, boldly vulnerable songwriting, personal life triumphs, and a firm commitment to social activism. In the 1960s, she evoked both the idealism and steely determination of a generation united against social and environmental injustices. Five decades later, her luminescent presence shines brightly as new generations bask in the glow of her iconic 50-album body of work, and heed inspiration from her spiritual discipline to thrive in the music industry for half a century.

The award-winning singer-songwriter is esteemed for her imaginative interpretations of traditional and contemporary folk standards and her own poetically poignant original compositions. Her stunning rendition of Joni Mitchell’s “Both Sides Now” from her landmark 1967 album, Wildflowers, has been entered into the Grammy Hall of Fame. Judy’s dreamy and sweetly intimate version of “Send in the Clowns,” a ballad written by Stephen Sondheim for the Broadway musical A Little Night Music,won “Song of the Year” at the 1975 Grammy Awards. She’s garnered several top-ten hits gold- and platinum-selling albums. Recently, contemporary and classic artists such as Rufus Wainwright, Shawn Colvin, Dolly Parton, Joan Baez, and Leonard Cohen honored her legacy with the album Born to the Breed: A Tribute to Judy Collins.

In addition, she remains a social activist, representing UNICEF and numerous other causes. She is the director (along with Jill Godmillow) of an Academy Award-nominated film about Antonia Brico – PORTRAIT OF A WOMAN, the first woman to conduct major symphonies around the world–and Judy’s classical piano teacher when she was young.

Judy Collins, now 79, is as creatively vigorous as ever, writing, touring worldwide, and nurturing fresh talent. She is a modern day Renaissance woman who is also an accomplished painter, filmmaker, record label head, musical mentor, and an in-demand keynote speaker for mental health and suicide prevention. She continues to create music of hope and healing that lights up the world and speaks to the heart.

He was the superstar who topped the UK and US single charts in the 70s with songs of endearing tunefulness, unabashed sentiment and existentialist musings. Today, British singer-songwriter Gilbert O’Sullivan continues to be regarded with tremendous affection and his songs remain well-loved around the world.

Gilbert O’Sullivan was born Raymond Edward O’Sullivan in 1946 in Ireland. He moved to Swindon, England with his family aged 7 and after a formal education became a student at Swindon Art College, specializing in graphic design. But he had another love – music – and after forming and joining local bands as a drummer/vocalist, he started writing his own songs, heavily influenced by The Beatles as writers and Bob Dylan as a performer. Calling himself Gilbert, with a very distinctive image, two singles released by CBS Records and one with the Major Minor label, got little attention. Undeterred, he sent a demo tape to Gordon Mills, the man behind Tom Jones and Engelbert Humperdinck, who impressed with his song writing, became his manager. The result was his first single on the MAM label, Nothing Rhymed, became a UK Top Ten hit in 1970.

More hit singles and a debut album Himself followed. But it was 1972’s Alone Again (Naturally) that sealed his fame, topping the USA charts for six weeks and garnering three Grammy nominations.

Soon after, he got his first three British number one hits with Clair, Get Down and LPBack to Front. Gilbert was named “Songwriter of the Year” at the 18th Ivor Novello Awards, embarked on an 18-city UK tour and a USA tour, performed sold-out concerts, clocked another UK Top 10 hit with Why Oh Why Oh Why and in 1974 won a third Ivor Novello award.

A few years later, Gilbert parted company, due to musical differences, with his manager, and following new representation teamed up with Gus Dudgon (Elton John, Chris Rea) as a producer for his next album. The critically acclaimed Off Centre released by CBS in 1990 produced the international hit What’s In A Kiss.

Litigation with former manager and record company prevented him from releasing any new product for a number of years. However, even during this period he never stopped writing. That to him is the key to everything he does as an artiste. As Gilbert says, ‘Without the songs, there is no artist.’
1990 saw the release of the album In the Key of G, producing a minor hit So What Whilst recording his second album in the 90’s, Sounds of the Loop, which contains the now classic Peggy Lee duet Can’t think straight, he was involved in another law suit, this time against rapper Biz Markie for sampling Alone Again (Naturally) without permission. Gilbert’s win set a new benchmark for protection against copyright infringement.

The 2000s have seen Gilbert enjoying a career revival with The Berry Vest of Gilbert O’Sullivan returning him to the UK Top 20 in 2004,Gilbertville (2011) enjoying success in the UK and Japan where in 1994 he had a number 1 with the song Tomorrow, Today, and well-received performances at the 2008 Glastonbury Festival and London’s Royal Albert Hall in 2009.

Gilbert is still writing, recording, performing and touring with success. His lasts concerts received rave reviews for his undiminished voice and “…the enduring quality of his work – the sheer tunefulness, lyrical gymnastics and wit” (Daily Post, March 2012).

His current compilation entered the UK album charts at Number 12 Gilbert O’Sullivan: The Very Best Of – A Singer & His Songs (2012) and following this ‘Ooh Wakka Doo’ became the theme song for National Lottery adverts across the UK. Cover versions of his songs continue to be released, in particular ‘Alone Again, (Naturally)’, with the latest being Neil Diamond and Diana Krall featuring Michael Buble.

And now, with the completion of his latest album, recorded in Madrid with a Latin influence, ‘Latin Ala G’ is due for release early June with tour dates to coincide with this throughout the UK and Ireland.

Gilbert and his band are very much looking forward to going back out on the road!